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Jewelry

Audemars Piguet Takes the Royal Oak Beyond the Watch with Royal Oak Joaillerie

Brand-neutral luxury gold and gem-set jewellery pieces arranged on dark fabric in a soft studio light

Some of watchmaking's most closely guarded ideas surface not at a fair but in a private room. Audemars Piguet's newest chapter followed that pattern. According to the Financial Times, the idea for what became Royal Oak Joaillerie first became tangible at a client event in Hong Kong in late 2025, and the collection was refined through private client previews in Bangkok, Zurich and Saint-Tropez before the public ever saw it. The first 19 creations were unveiled in Paris on 2 October 2026, during Paris Fashion Week — a deliberate choice of stage for a maison reaching beyond its traditional watch audience.

What makes the launch remarkable is what the pieces do not contain. Royal Oak Joaillerie is, per the Financial Times, the first jewellery collection in the brand's history with no watch movement at all. For a house whose name is inseparable from the tapisserie dial and the integrated bracelet, that is a quiet revolution: the design language of a legendary watch, translated into pure adornment.

Three lines, one vocabulary

The debut collection is organised into three lines, each drawing on the landscape and heritage of the Vallée de Joux. Dream of Joux is the most colourful of the three, its gem-setting evoking frozen lakes, night skies and the flowers of the region where the manufacture has stood since 1875. Risoud Eclipse turns darker and more sculptural: matte black titanium set with sugarloaf emeralds and diamonds, inspired by the Risoud Forest and the shadow of an eclipse. Frosted Gold revisits a familiar signature — the hammered 'frosted' texture that shimmers like diamond dust, offered in 18k white, yellow and pink gold, and echoing the Frosted Gold Royal Oak that Carolina Bucci created for the maison in 2016.

Across the three lines, the pieces translate the codes collectors know instantly. The octagon of the Royal Oak — designed by Gérald Genta in 1972 — reappears in pendants and motifs, while the watch's integrated tapered bracelet links inform cuffs, chokers and collars. The offering spans necklaces, chokers, cuffs and bracelets, and earrings, set with diamonds, emeralds, pink sapphires and spessartites, with some stones reaching around five carats.

How it will be sold

The commercial approach is as considered as the design. The Financial Times reports prices from CHF 48,000 (approximately $57,720) to several million dollars, with the collection sold initially at private client events rather than AP Houses, in small quantities and largely made on demand. This is high jewellery in the truest sense: not a window display, but a conversation between the maison and its closest clients.

None of this arrives from nowhere. Audemars Piguet has created gem-set watches since the 19th century and opened its own jewellery workshop in the 1980s. The maison itself frames jewellery and watchmaking as inseparable pairings in its AP Chronicles. Royal Oak Joaillerie simply makes that lineage visible in a new form — and, as the Financial Times notes, reflects a broader industry effort to attract more female clients. Clients, after all, have long treated the brand's watches as jewellery in their own right, already stacking Royal Oak Mini watches on the wrist as ornaments.

A note for collectors

A jewellery-first Royal Oak is a reminder that the octagon has become an object of desire in its own right — recognised from across a room, in metal alone. For those drawn to that silhouette in its original form, the Pre-Loved (Certified) market offers a considered way in. Explore the Audemars Piguet collection at LuxyVerse, browse the wider watches on offer, or pair a Royal Oak with the bracelets and fine jewellery already in your rotation. Every piece is authenticated before listing — read the LuxyVerse Authenticity Promise to see exactly what is inspected before a watch reaches the site.

Featured image: an original AI-generated, brand-neutral jewellery still life; it does not depict Audemars Piguet products.

Sources: Audemars Piguet, AP Chronicles, the Financial Times, Haute Time and CNA Luxury.